Tess Davis, director of the Antiquities Coalition, is blunt about the implications of this. “If I were a museum curator, I would check every Cambodian piece acquired after 1965 just to be safe; that’s how prolific [Latchford] was.” New York’s Metropolitan Museum of Art is one institution that has admitted to doing so, “reviewing the pieces that came [into its] collection via Latchford and his associates.”
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